{"id":132,"date":"2013-11-19T18:11:41","date_gmt":"2013-11-19T17:11:41","guid":{"rendered":"https:\/\/fpc.ms-dev.it\/altrove\/n-7-gennaio-giugno-2012\/"},"modified":"2022-11-24T17:06:19","modified_gmt":"2022-11-24T16:06:19","slug":"n-7-gennaio-giugno-2012","status":"publish","type":"altrove","link":"https:\/\/www.fondazionepaolocresci.it\/es\/altrove\/n-7-gennaio-giugno-2012\/","title":{"rendered":"N\u00ba 7 Enero-junio 2012"},"content":{"rendered":"<p><strong>Altrove - Revista de historia e interculturalidad -\u00a0<\/strong><strong>en l\u00ednea<\/strong><\/p>\n<p><strong>Editorial:\u00a0<\/strong><strong>Fundaci\u00f3n Paolo Cresci para la Historia de la Emigraci\u00f3n Italiana,\u00a0<\/strong><strong>Cortile Carrara, n\u00ba 1,\u00a0<\/strong><strong>Palacio Ducal, Lucca<\/strong><\/p>\n<p><strong>Director responsable: Pietro Luigi Biagioni<\/strong><\/p>\n<p><strong>Autorizaci\u00f3n del Tribunal de Lucca n\u00ba 900 - Registro de publicaciones peri\u00f3dicas de 08.08.09<\/strong><\/p>\n<p><em>Este n\u00famero contiene las siguientes contribuciones:<\/em><\/p>\n<p><strong>Graziella Tonfoni<\/strong><\/p>\n<p><strong>Parte 1 - Teor\u00edas cient\u00edficas sobre los fen\u00f3menos l\u00e9xicos de migraci\u00f3n y retorno. B<\/strong><strong>pistas para seguir reflexionando<\/strong><\/p>\n<p>Resumen<\/p>\n<p>Introducci\u00f3n<\/p>\n<p>1. Dos vol\u00famenes, una trilog\u00eda<\/p>\n<p>2. La ciencia migrante, en singular<\/p>\n<p>3. Reproposici\u00f3n ecol\u00f3gica, en plural<\/p>\n<p>Conclusiones<\/p>\n<p><strong>Parte 2 - Los complejos escritos de la emigraci\u00f3n intelectual de retorno; la recompactaci\u00f3n de un patrimonio de misivas cient\u00edficas expresadas en estilo literario<\/strong><\/p>\n<p>Resumen<\/p>\n<p>Pr\u00f3logo<\/p>\n<p>Introducci\u00f3n<\/p>\n<p>1. Reducir y superar la deuda ecd\u00f3tica de citas bibliogr\u00e1ficas<\/p>\n<p>2. Liquidez conceptual l\u00edrica respetando la diversidad territorial<\/p>\n<p>3. El dise\u00f1o escatol\u00f3gico de un mapa ut\u00f3pico<\/p>\n<p>4. Banco de la Biblioteca\u00a0<em>pre<\/em>-textual italiano<\/p>\n<p>5. Redirecci\u00f3n paratextual para una capitalizaci\u00f3n ecol\u00f3gica y sostenible<\/p>\n<p>6. Un ejemplo de movilidad estil\u00edstica y desplazamiento de frases de temas en\u00a0<em>nube<\/em>\u00a0<em>inform\u00e1tica<\/em>vertido en tramos de\u00a0<em>transmisi\u00f3n por correo electr\u00f3nico<\/em><\/p>\n<p>7. M\u00e9todos de econom\u00eda textual y pr\u00e1ctica de la filolog\u00eda en la realidad postecnol\u00f3gica actual<\/p>\n<p>8.<em>\u00a0<\/em>Cinematograf\u00eda filol\u00f3gica y aparato autocr\u00edtico para un paratexto virtual compartido<\/p>\n<p>9. Gesti\u00f3n razonada de las \"literaturas de los emigrantes de retorno<\/p>\n<p>10. Maniobrabilidad interpretativa en m\u00faltiples solapamientos filol\u00f3gicos<\/p>\n<p>11. Maniobra cr\u00edtica virtual para una representaci\u00f3n ficticia de la\u00a0<em>Memorabilia (Graziella Tonfoni 1979-2009)<\/em><\/p>\n<p>Conclusiones<\/p>\n<p><strong>\u00a0Parte 3 - Nuevas formas de cita bibliogr\u00e1fica: criterios estables de catalogaci\u00f3n\u00a0<em>Correo electr\u00f3nico:<\/em>-Europeo<\/strong><\/p>\n<p>Resumen<\/p>\n<p>Introducci\u00f3n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>1. La conversi\u00f3n a un formato paneuropeo de una bibliograf\u00eda italiana con enlaces l\u00f3gicos \"hacia atr\u00e1s\".<\/p>\n<p>2. Vertido\u00a0<em>Correo electr\u00f3nico:<\/em>-Bibliograf\u00eda europea de una bibliograf\u00eda italiana, en formato reducido, para el crecimiento literario comparado.<\/p>\n<p>3. Prototipos narrativos y modelos de no ficci\u00f3n para una literatura italiana de la emigraci\u00f3n\u00a0<em>inter<\/em>-Europeo<\/p>\n<p>4. Un prototipo literario italiano para una cr\u00edtica y una filolog\u00eda port\u00e1tiles\u00a0<em>intra<\/em>-Europeo<\/p>\n<p>5. La preservaci\u00f3n de las dimensiones bibliogr\u00e1ficas en un \"otro lugar estil\u00edstico\" mediante la consulta de vocabularios italianos.<\/p>\n<p>6. Econom\u00edas bibliogr\u00e1ficas del divisionismo europeo: reescrituras migratorias de listas de t\u00edtulos<\/p>\n<p>7. Macromodelos de clasificaci\u00f3n cognitiva de bibliograf\u00edas dispersas en la eurozona y reubicaci\u00f3n de microbiograf\u00edas en zonas lim\u00edtrofes<\/p>\n<p>8. La migraci\u00f3n de contenidos compartibles como v\u00eda hacia la recapitulaci\u00f3n constante\u00a0<\/p>\n<p>9. A\u00f1o 2012: del abstraccionismo cient\u00edfico de la eurobibliograf\u00eda a la nacionalizaci\u00f3n concreta de las acciones heur\u00edsticas literarias<\/p>\n<p>Conclusiones<\/p>\n<p>Anexo<\/p>","protected":false},"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"class_list":["post-132","altrove","type-altrove","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fondazionepaolocresci.it\/es\/wp-json\/wp\/v2\/altrove\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fondazionepaolocresci.it\/es\/wp-json\/wp\/v2\/altrove"}],"about":[{"href":"https:\/\/www.fondazionepaolocresci.it\/es\/wp-json\/wp\/v2\/types\/altrove"}],"wp:attachment":[{"href":"https:\/\/www.fondazionepaolocresci.it\/es\/wp-json\/wp\/v2\/media?parent=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}